#SUPERLIMINAL EXIT DOOR PUZZLE HOW TO#

We’ve included nearly every track from the game, as well as some new music, for a total of over 30 tracks. There’s also a music selector, which lets you choose a track which will play in your level. Note: you can add as many custom whiteboards as you like! There are buttons that link up to doors, the level start and end flags, barrier doorways, a fan, and a whiteboard for writing your own custom messages. This next area has various useful objects for building your level. Any custom models you use in making a level, which are present on the playspace, will also be included with the level when you upload it. These shelves contain any models you have imported or subscribed to in the Workshop. You’ll also notice next to the table are some shelves. These are various interactable pieces for use in puzzles. In the next section are grabbable objects.

Next to the walls are some decorations to pretty up your levels. In the right-click context menu (which we will cover later), you can change the theme of the pieces to resemble the levels in the main game. These are the basic building blocks of your level. In this first section of the object area, there are various wall pieces and a floor piece.

#SUPERLIMINAL EXIT DOOR PUZZLE HOW TO#

For information on how to import your own 3D models into the game, please read this previous article. It fit perfectly with the game’s structure and developer Pillow Castle should be applauded for not muddying it.You can import your own custom objects for use in custom levels, but we also have a set of pre-made objects for you to use. Superliminal surprised me, not only by how simple its message was, but also by how much it resonated. One of my biggest bugbears with puzzle games - and The Soujourn is a good example - is that they try to over-engineer a story to contain its challenges. The final ten minutes or so ramp up the pace (and in some cases the nausea) but not the danger, a move which makes sense when the ending is explained. The collaboration feels uneasy in a game with no time limit or real understanding of your reason for being there, but even without the narration the game would have been fun to play. The computerised voice of the AI is the opposite, commenting when you take the “wrong” direction and attempting to heighten emotion at various points. Your character is in some sort of Inception-like dream state at a clinic run by a calm Scottish doctor who communicates with you via radios you discover. The lack of conflict is soothing in a way. Doors can be removed and discarded, wedges of cheese grown to impossible sizes, and neon exit signs vastly expanded to illuminate darkened rooms or activate multiple floor panels at once. Once you get your head around that - and doing so is a challenge in itself as the game gives you almost zero instruction - you’ll be tasked with moving forward through each new room by manipulating the objects within to form ramps, bridges, stairs and more. Everything’s size is relative to how you see it, not how large it actually is. Hold it in relation to the floor you're standing on and let go at your feet… and it becomes tiny. Pick up a can of soda and bring it close enough to you so that it fills the room and release it, and it will indeed fill the room. As the game repeatedly tells you, perspective is reality. Without going all Father Ted on you, Superliminal plays around with size and distance in a way I’ve not seen in a game before. But it carves out a unique niche thanks to its main mechanic: perspective. ‍ Superliminal shares some of the tropes of the first-person puzzlers that came before it such as The Spectrum Retreat and Portal, but also the meta narration and often dream-like surrealism that The Stanley Parable nailed.

Superliminal exit door puzzle